was a potential wild Kassovitz. Really. It is incomprehensible what happened to this guy, how to turn one of the most brilliant films of European cinema of the nineties (the "La haine" as is, no doubt) to stick to constant thud, the interpretive and the direction. Come, come, do not bother me. Kassovitz, before all the girls love gothic-lolita (or similar) nice guy doing cool if-you-want-and-you-respected-before-you-take-a-bed in "Amelie" (I am always saying that someday I will speak of "Amelie" and I desquitaré to taste) and also before making good priest great that-die-for-one "noble cause" Amen "by Costa Gavras ... Kassovitz, before all this, and also before the insufferable film "Gothika" with an insufferable and Oscar-winning "Halle Berry" ... before all this, he said, Kassovitz had a unique film, juicy, truly brilliant. An outstanding film.
"Hate" has all the elements for liking the bourgeoisie: an unsettling message that can shake the room after viewing a script that does not take us for fools, some impressive performances (at your feet, Vincent Cassell, you are great) and, above all, this bizarre film patina appears to improve quality of product. It is as if the entire staff of the film before had decided to make things right. And it shows. Beyond
voices trying to point out "Hate" as a kind of prophetic film about the riots in the suburbs of Paris (an explanation is somewhat valid, but we all knew what was going on there, I Manu Chao said in the early nineties) the value cinema is undeniable. It's one of those tapes should be studied in schools (especially in English), it would have raised much more theoretical and sociologist dust, especially in Spain, where we find it frightening that are valid. Especially in Europe, in these turbulent years in which the identity fades and ends up being represented by some gentlemen in suits trying to find coherence when the real economic fault lies elsewhere, in another underground volcano that is shaped like the letter uncomfortable West .
then skidded Kassovitz disappointed us that we waiting for new voices. Maybe it was going to Hollywood and become friend of Spielberg. Maybe, who knows? Kassovitz wrong was that his career and wanted to be loved as a conventional filmmaker instead of exercising its work as an oracle of Europe. Who knows.
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